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The lipstick message near the Black Dahlia scene that police never linked to a killer

The lipstick message near the Black Dahlia scene that police never linked to a killer

A woman walking with her young daughter saw something pale in the grass of the vacant lot on Norton Avenue.

She thought it was a mannequin at first.

It was the body of Elizabeth Short, cut in half at the waist, drained of blood, and posed.

The morning was January 15, 1947.

The lot sat in the Leimert Park area of Los Angeles.

Near the scene, on the sidewalk, someone had scrawled a message in lipstick.

The police photographed it.

They logged it.

They never conclusively linked it to the killer.

What did the message say?

Who wrote it?

Did it come from the person who left the body?

That would require evidence.

The record does not contain the exact wording.

The record contains only a description: a message scrawled in lipstick.

Not a name.

Not a confession.

Not a clue that led anywhere.

It is a documented piece of the scene.

It is also a dead end.

The woman and her daughter walked on, then stopped, then called for help.

The body lay in the open, visible to the street.

The lipstick message sat on the concrete, exposed to the same morning light.

One was the subject of one of the largest manhunts in the history of the LAPD.

The other was a few words in rouge, never tied to any hand.

The case would become known as the Black Dahlia murder.

The message would become a footnote.

THE DISCOVERY AND THE FIRST HOURS

The discovery came first.

On the morning of January 15, 1947, a woman walking with her young daughter saw something in a vacant lot on Norton Avenue.

She initially thought it was a mannequin.

It was the body of Elizabeth Short, a 22-year-old aspiring actress.

The body had been cut in half at the waist.

It had been drained of blood.

It had been posed.

The case would become known as the Black Dahlia murder, a nickname derived from a film, *The Blue Dahlia*, and Short's dark clothing and hair.

The lead detective on the case was Detective Harry Hansen, who worked with his partner, Detective Finis Brown.

They arrived to a scene that offered little.

The body had been washed clean of blood.

No fingerprints were found.

The killer had posed the body in a manner that suggested deliberate staging.

The exact time of discovery is not in the record.

The initial response details are not in the record.

What is in the record is the confusion.

Detectives Hansen and Brown had a victim, a location, and a body that had been cleaned of its evidence.

The lipstick message near the Black Dahlia scene that police never linked to a killer

They had no weapon.

They had no witnesses.

They had no fingerprints.

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