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The clown costume in John Wayne Gacy's crawl space that hid 26 bodies

The clown costume in John Wayne Gacy's crawl space that hid 26 bodies

The clown costume hangs in the story like a prop left on a stage.

It is the image that travels: the white face, the red nose, the baggy suit.

But the documented fact is not the costume.

The documented fact is the crawl space.

John Wayne Gacy was a building contractor and part-time clown performer in the Chicago area.

Between 1972 and 1978, he murdered at least 33 young men and boys.

Most were strangled or asphyxiated; some were stabbed.

He buried 26 victims in the crawl space of his home at 8213 West Summerdale Avenue in Norwood Park Township.

The exact location of the costume within that crawl space is not specified in the source.

Not because it doesn't matter.

But because the record is about what was found in the dirt, not what hung on a wall.

The case broke in December 1978.

A 15-year-old Des Plaines youth, Robert Piest, disappeared.

He told his mother he was going to meet a contractor about a job.

That contractor was Gacy.

Investigators traced Piest to him, obtained a search warrant, and discovered the first human remains in the crawl space on December 22, 1978.

The clown had a name.

The crawl space had a floor.

She was on the ground below—no, that is not the image.

The image is a trapdoor.

A strong odor.

A space beneath the house that held 26 bodies.

How does a part-time clown become the last person a boy sees?

That would require evidence.

The record shows only the crawl space, the odor, and the remains.

The costume is a symbol.

The crawl space is the fact.

THE CONTRACTOR AND THE CLOWN

The contractor’s van was a familiar sight in the neighborhoods around Norwood Park Township.

He ran a business that hired young men, often teenagers, for construction work.

Several of the victims were employees of that business.

They knew him as the boss who paid them, the man who handed them tools and job sites.

He was also a part-time clown performer.

He called himself Pogo the Clown, and he entertained at parties and community events.

The makeup and the costume were part of the public performance.

The contracting business was the private one.

The duality is the unease: the same hands that shook at a child’s birthday party may have held the rope later.

The source does not specify when Gacy began performing as a clown or how often he did so.

That timeline is not established.

His wife during the murders, Carole Hoff, was interviewed by investigators.

She was not implicated.

No accomplices were charged.

The record names Gacy as the sole perpetrator.

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